The main argument of this thesis paper was the question of the manner and the extent to which partisan film as a unique genre created in the socialist Yugoslavia, had been used as means of political propaganda. A detailed analysis of the four of the chosen partisan film, “Slavica“, “The Battle of Neretva“, “Sutjeska“ and “Boško Buha“ has determined that the main propaganda goals of the Communist party were successfully realized through various means and film techniques. Those goals had included the endorsement of the importance of antifascism, the idea of “brotherhood and unity“ but also of the importance of the Communist party as the facilitator and forerunner of the fight for Yugoslav national liberation. It had also been of great importance to give a contribution to the advancement of the cult of personality of Josip Broz Tito through these films to which a separate chapter of this thesis had been dedicated. Keeping in mind the important role domestic film played in the Yugoslav society, this thesis has shown the scope of influence the film as a medium had on promotion and solidification of the communist ideology and Yugoslavian national identity. The analyses of the partisan film showcased in this thesis can serve as groundwork for prospective wider deliberation and investigation of the influence of these films on the former Yugoslavian society.